SHOWROOM SPECIFICATIONS

STAGE & FACILITY DESCRIPTIONS

Stage Size

• Stage size (overall), approx. 150'w X 44'd X 48'h
• Proscenium opening, 90'w X 30'h
• Stage depth @ DS center to US Curtain, 45' (shallow arcing downstage edge)
• Main curtain to DSC, approx. 6' (shallow arcing downstage edge)

FOH Position

• FOH Booth Size: 8’d x 20’w
• Located center of house
• Approx.. 60’ from DS center edge
• Permanent barricade
• Isolated audio circuit

Stage Soft Goods

• (4) sets of legs/borders (borders dead hung @23’ and legs tracks cross full stage width)
• (2) full width travellers (DS main & midstage)
• (1) 120' White muslin cyc
• (1) 2X60’ shiny white sorta chiffon

Stage area

• Offstage Right
  • Quick change room
  • Freight elevator (10’6”wide X 7’11”deep X 9’11” tall X 17’11” diagonal)
  • Stairs to Dressing room level or catwalks
• Offstage Left
  • Quick change room
  • Restroom
  • Production office
    • 2 IP phones
    • 2 analog phone lines
    • Fax machine/copier
    • Intercom
  • Elevator to Dressing room level or catwalks
  • Stairs to Dressing room level or catwalks

Dressing Room areas

• (2) Star suites
  • Living area
  • Dressing/makeup counter
  • Wardrobe closet
  • TV, showroom audio, intercom
  • Private bath w/ shower
• (2) Chorus rooms (Men's/Women's)
  • Room for 14+ performers
  • Restroom w/ showers
  • TV, showroom audio, intercom
• (3) "Primary" Dressing rooms
  • Private dressing rooms w/ shared ½ restroom
• (1) Green Room
  • Meet & Greet area
  • TV, showroom audio, intercom

Loading Area

• Primary Loading Option
  • Ground level
  • Dock Door
  • 40 foot push to stage freight elevator (stage right)
• Secondary Loading area
  • Hydraulic lift from truck to stage loading door
  • Truck Height Lift
  • 20 foot lift to stage dock door
• Parking
  • Room for 3 large vehicles (semi’s, busses, dock truck, etc)
  • 2 – 50/30 amp shore power connections
  • 2 – 20 amp Edison outlets

SOUND SYSTEMS

House Sound system

• 3-Cluster line array + Subs
  • L/R - EV XLC series (dead hung-8 per side)
  • Center cluster - EV XLD series (dead hung-5)
  • Subs - EAW SB1000 (5 per side - in wall used as extension of EV hang)
  • Subs(main) - d&b J-Subs (on deck – 2 per side, d&b power amps/processing)
  • All other amps - Crest Pro Series (7001,8001,9001,9200 etc)
• FOH Drive
  • BSS London Range soundweb, analog or AES inputs, controlled from FOH
• Mixing Consoles
  • Primary consoles
    • Digidesign Venue D-Show
    • Main console + (1) expansion surface, total of 32 physical input faders
    • Digi Stage rack - 88 inputs/16 outputs
    • ProPack plug-in package plus others (call to get more details)
    • Digidesign Venue Profile/MixRack
      • 64 mic/line in, 8 line in, 16 outputs
  • Outboard processing
    • too numerous to list individually, Drawmer and dbx comps & gates, TC, Lexicon & Eventide verbs, DP901’s and.……. a D2.
  • Monitor Sound system
    • (12) EAW SM500 wedge monitors
    • (12) Crest 7301 amps setup w/ Protea Crossovers
    • (12) XTA 1/3 octave EQ's
    • (12) channels of comp/gate
    • (4ea) 850 tops and subs for sidefills
    • (1) butt kicker concert

VIDEO

IMAG system

• (2) 14’x10’ 10mm LED Dicolor video walls
• Flown DS Left and Right at proscenium wall

Switching

• Roland V-1200HD video switcher
• (10) 3G/HD/SD-SDI inputs
• (4) HDMI inputs (HDCP compliant)
• (1) VGA input
• (5) SDI outputs
• (2) HDMI outputs

Cameras

• (3) Panasonic Robo Cams
• (2) Sony HD ENG Cameras
• (1) Sony SDI Camcorder

Miscellaneous

• Teradek Bolt Pro 2000 Wireless SDI Transmitter/Receiver
• Feeds to switch for content located at FOH, Stage Left, Stage Right, Up Stage Center

LIGHTING SYSTEMS

Conventional Dimming System

• (432) channel, 1.5Kw digital dimmers, (240 over stage, 36 on stage, 24 box booms, 132 in FOH catwalks)
• (100) Source 4 Lekos
  • Mixed bag of 25-50 degree Zooms, 19 degree fixed, 26 degree fixed
• (40) Source 4 Par
• (120) Par 64 (20 six bars)
• (12) 3-Cell cyc lights

Moving Light System

• (12) High End StudioCommand (700 watt Lamp)
• (18) High End Intellaspot XT-1 (850watt HID Lamp)

Spot Lights

• (4) Lycian M2 Follow Spot (1200watt lamp)

Control/Distribution

• Consoles
  • GrandMA 2 full size
  • Martin M1
• Data Distribution (running S/ACN)
  • Pathport DMX Ethernet system
    • Data nodes are everywhere

RIGGING SYSTEM

Conventional Dimming System

• (2) Full-width catwalks over house, approximately 15' and 40' from downstage edge
• (8) Trusses suspended over stage on chain hoists
  • All trusses may be relocated from 2' US of plaster line to 4' DS of US wall
  • (4) 12"x12" James Thomas supertruss, total capacity of (4) tons each
  • (3) 26"x30" Applied catwalk truss, total capacity of (3) tons each
  • (1) 30"x30" Tomcat box truss, total capacity of (3) tons
• Steel beams over stage are spaced every 5' (L-R) and run US-DS for the full depth of the stage. Each of these beams has a capacity of (4) Tons, (1) Ton per point, 36" point spacing minimum.

POWER DISTRIBUTION

Stage Left

• (1) 400A 3-phase company switch, lugs or cams
• (1) 100A 3-phase company switch, lugs or cams

Up Stage Left

• (1) 100A 3-phase company switch, lugs or cams

Stage Right

• (1) 400A 3-phase company switch, lugs or cams

Mezzanine Level

• (1) 400A 3-phase company switch, lugs or cams

Lower Level

• (1) 200A 3-phase company switch, lugs or cams

SEATING

2100 Fixed stadium seats
No obstructed views
Non-Smoking

Kermit Carter
Entertainment Manager
Office: 952-496-7358
Email: Kermit.Carter@mysticlake.com