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SHOWROOM SPECIFICATIONS

STAGE & FACILITY DESCRIPTIONS

Stage Size

  • Stage size (overall), approx. 150'w X 44'd X 48'h
  • Proscenium opening, 90'w X 30'h
  • Stage depth @ DS center to US Curtain, 45' (shallow arcing downstage edge)
  • Main curtain to DSC, approx. 6' (shallow arcing downstage edge)

FOH Position

  • FOH Booth Size: 8’d x 20’w
  • Located center of house
  • Approx.. 60’ from DS center edge
  • Permanent barricade
  • Isolated audio circuit

Stage Soft Goods

  • (4) sets of legs/borders (borders dead hung @23’ and legs tracks cross full stage width)
  • (2) full width travellers (DS main & midstage)
  • (1) 120' White muslin cyc
  • (1) 2X60’ shiny white sorta chiffon

Stage area

  • Offstage Right
    • Quick change room
    • Freight elevator (10’6”wide X 7’11”deep X 9’11” tall X 17’11” diagonal)
    • Stairs to Dressing room level or catwalks
  • Offstage Left
    • Quick change room
    • Restroom
    • Production office
      • 2 IP phones
      • 2 analog phone lines
      • Fax machine/copier
      • Intercom
    • Elevator to Dressing room level or catwalks
    • Stairs to Dressing room level or catwalks

 

Dressing Room areas

  • (2) Star suites
    • Living area
    • Dressing/makeup counter
    • Wardrobe closet
    • TV, showroom audio, intercom
    • Private bath w/ shower
  • (2) Chorus rooms (Men's/Women's)
    • Room for 14+ performers
    • Restroom w/ showers
    • TV, showroom audio, intercom
  • (3) "Primary" Dressing rooms
    • Private dressing rooms w/ shared ½ restroom
  • (1) Green Room
    • Meet & Greet area
    • TV, showroom audio, intercom

Loading Area

  • Primary Loading Option
    • Ground level
    • Dock Door
    • 40 foot push to stage freight elevator (stage right)
  • Secondary Loading area
    • Hydraulic lift from truck to stage loading door
    • Truck Height Lift
    • 20 foot lift to stage dock door
  • Parking
    • Room for 3 large vehicles (semi’s, busses, dock truck, etc)
    • 2 – 50/30 amp shore power connections
    • 2 – 20 amp Edison outlets

SOUND SYSTEMS

House Sound system

  • 3-Cluster line array + Subs
    • L/R - EV XLC series (dead hung-8 per side)
    • Center cluster - EV XLD series (dead hung-5)
    • Subs - EAW SB1000 (5 per side - in wall used as extension of EV hang)
    • Subs(main) - d&b J-Subs (on deck – 2 per side, d&b power amps/processing)
    • All other amps - Crest Pro Series (7001,8001,9001,9200 etc)
  • FOH Drive
    • BSS London Range soundweb, analog or AES inputs, controlled from FOH
  • Mixing Consoles
    • Primary consoles
      • Digidesign Venue D-Show
      • Main console + (1) expansion surface, total of 32 physical input faders
      • Digi Stage rack - 88 inputs/16 outputs
      • ProPack plug-in package plus others (call to get more details)
      • Digidesign Venue Profile/MixRack
        • 64 mic/line in, 8 line in, 16 outputs
    • Outboard processing
      • too numerous to list individually, Drawmer and dbx comps & gates, TC, Lexicon & Eventide verbs, DP901’s and.……. a D2.
    • Monitor Sound system
      • (12) EAW SM500 wedge monitors
      • (12) Crest 7301 amps setup w/ Protea Crossovers
      • (12) XTA 1/3 octave EQ's
      • (12) channels of comp/gate
      • (4ea) 850 tops and subs for sidefills
      • (1) butt kicker concert

 

VIDEO

IMAG system

  • (2) 14’x10’ 10mm LED Dicolor video walls
  • Flown DS Left and Right at proscenium wall

Switching

  • Roland V-1200HD video switcher
  • (10) 3G/HD/SD-SDI inputs
  • (4) HDMI inputs (HDCP compliant)
  • (1) VGA input
  • (5) SDI outputs
  • (2) HDMI outputs

Cameras

  • (3) Panasonic Robo Cams
  • (2) Sony HD ENG Cameras
  • (1) Sony SDI Camcorder

Miscellaneous

  • Teradek Bolt Pro 2000 Wireless SDI Transmitter/Receiver
  • Feeds to switch for content located at FOH, Stage Left, Stage Right, Up Stage Center

 

LIGHTING SYSTEMS

Conventional Dimming System

  • (432) channel, 1.5Kw digital dimmers, (240 over stage, 36 on stage, 24 box booms, 132 in FOH catwalks)
  • (100) Source 4 Lekos
    • Mixed bag of 25-50 degree Zooms, 19 degree fixed, 26 degree fixed
  • (40) Source 4 Par
  • (120) Par 64 (20 six bars)
  • (12) 3-Cell cyc lights

Moving Light System

  • (12) High End StudioCommand (700 watt Lamp)
  • (18) High End Intellaspot XT-1 (850watt HID Lamp)

Spot Lights

  • (4) Lycian M2 Follow Spot (1200watt lamp)

Control/Distribution

  • Consoles
    • GrandMA 2 full size
    • Martin M1
  • Data Distribution (running S/ACN)
    • Pathport DMX Ethernet system
      • Data nodes are everywhere

 

RIGGING SYSTEM

Conventional Dimming System

  • (2) Full-width catwalks over house, approximately 15' and 40' from downstage edge
  • (8) Trusses suspended over stage on chain hoists
    • All trusses may be relocated from 2' US of plaster line to 4' DS of US wall
    • (4) 12"x12" James Thomas supertruss, total capacity of (4) tons each
    • (3) 26"x30" Applied catwalk truss, total capacity of (3) tons each
    • (1) 30"x30" Tomcat box truss, total capacity of (3) tons
  • Steel beams over stage are spaced every 5' (L-R) and run US-DS for the full depth of the stage. Each of these beams has a capacity of (4) Tons, (1) Ton per point, 36" point spacing minimum.

 

POWER DISTRIBUTION

Stage Left

  • (1) 400A 3-phase company switch, lugs or cams
  • (1) 100A 3-phase company switch, lugs or cams

Up Stage Left

  • (1) 100A 3-phase company switch, lugs or cams

Stage Right

  • (1) 400A 3-phase company switch, lugs or cams

Mezzanine Level

  • (1) 400A 3-phase company switch, lugs or cams

Lower Level

  • (1) 200A 3-phase company switch, lugs or cams

 

SEATING

2100 Fixed stadium seats
No obstructed views
Non-Smoking

 

Kermit Carter
Entertainment Manager
Office: 952-496-7358
Email: Kermit.Carter@mysticlake.com